Stage scene with one actor in a fancy costume and another in period dress, having a conversation

Marie Christine: A Love Story Beyond Time

In 2017, BoHo Theatre concluded its season on a high note with the riveting musical “MARIE CHRISTINE,” penned and composed by Michael John LaChiusa, who is celebrated for his works like “THE WILD PARTY” and “HELLO AGAIN.” Under the direction of Lili-Anne Brown, a former artistic director of Bailiwick Chicago and a cherished member of the BoHo ensemble, the production took the stage at Theater Wit. “MARIE CHRISTINE” draws its inspiration from the storied life of Marie Laveau, the legendary Voodoo Queen of New Orleans, and presents a powerful reinterpretation of the Greek myth of Medea. Audiences had the opportunity to experience this haunting musical through December 10, 2017, with promotional excerpts available for viewing online.

A Tale of Love and Betrayal

The narrative unfolds in the dimming light of the 19th century, centering on Marie Christine, a woman of mixed race who finds herself wrongfully imprisoned, awaiting her execution without trial. From her cell, she shares her harrowing tale that begins in the refined circles of New Orleans Creole society, where she falls deeply in love with Dante, a white ship captain. As their forbidden love comes to light, they escape to Chicago, only for Dante to leave Marie for a political career. Facing betrayal, Marie embarks on a path of vengeance that seals her tragic destiny. The musical’s exploration of race and feminism in America has earned it Tony Award nominations for Best Book of a Musical and Best Score.

Cast and Creativity

Directed by the renowned Brown, a director celebrated for a diverse portfolio encompassing both award-winning productions and eagerly anticipated local premieres, this theatrical endeavor stands out as a testament to artistic brilliance. Central to the narrative is Kyrie Courter, assuming the pivotal role of Marie, whose journey is marked by profound emotional depth and complexity. Alongside her, Ken Singleton emerges as Dante, her doomed lover, embodying the character’s tragic essence with compelling authenticity. The ensemble cast further elevates the production, boasting the exceptional talents of Averis I. Anderson, Curtis Bannister, and Neala Barron, each contributing to the rich tapestry of the performance with their unique artistic flair.

  1. At the helm of the directorial efforts is Brown, whose career is distinguished by a series of award-winning productions and local premieres that have garnered widespread acclaim. His visionary approach to storytelling and knack for bringing out the best in his cast are evident in this latest production;
  1. Kyrie Courter steps into the lead role of Marie, delivering a performance that captures the complexity and depth of her character with nuanced precision. Her portrayal is a highlight of the production, drawing audiences into the emotional landscape of the narrative;
  1. Ken Singleton, as Dante, Marie’s ill-fated lover, brings a layer of tragic depth to the production. His interpretation of Dante’s character adds a poignant element to the storyline, making the narrative’s thematic undertones all the more resonant;
  1. The ensemble cast, featuring Averis I. Anderson, Curtis Bannister, and Neala Barron, among others, brings a dynamic energy to the stage. Each actor’s unique contributions enrich the overall experience, showcasing a collective prowess that is both diverse and captivating;
  1. Leading the production team is producer Meg Love, whose organizational acumen and creative vision have been instrumental in bringing the project to fruition. Her leadership ensures that every aspect of the production is executed with precision and artistic integrity;
  1. Arnel Sancianco’s scenic design plays a crucial role in setting the tone and atmosphere of the production. His innovative use of space and attention to detail create a visually stunning backdrop that enhances the storytelling;
  1. Lighting designer Heather Gilbert’s expertise is evident in the mood and ambiance she crafts through her thoughtful lighting choices. Her work adds depth and dimension to the production, highlighting key moments and emotions;
  1. Costume designer Izumi Inaba brings the characters to life through her meticulously crafted costumes. Her designs reflect the personalities and circumstances of the characters, adding a layer of visual storytelling to the production;
  1. Karli Blalock’s sound design is integral to the production’s immersive experience. Her skillful blending of music and sound effects complements the action on stage, enveloping the audience in the world of the play.

This ambitious production, under the guidance of these seasoned professionals, promises to be a memorable theatrical experience. The collaboration of a talented cast and a dedicated production team, led by the visionary Brown and producer Meg Love, sets the stage for a performance that is both captivating and emotionally resonant.

Conclusion: Setting the Stage for Future Success

This captivating production not only highlights Brown’s directorial prowess but also showcases BoHo Theatre’s commitment to presenting challenging and thought-provoking theatre, making “MARIE CHRISTINE” a fitting climax to their 2017 season. Beyond its immediate impact, the show set a precedent for the kind of bold and innovative storytelling that BoHo Theatre aspires to. Lili-Anne Brown’s nuanced direction and the dynamic performances of the cast breathed life into Michael John LaChiusa’s complex characters, weaving a narrative that resonated deeply with contemporary themes of identity, power, and resistance. The success of “MARIE CHRISTINE” illustrates the vital role that theatre plays in exploring and reflecting upon the societal issues of our time. It also underscores the importance of supporting diverse voices and stories on stage, fostering a deeper understanding and empathy among audiences. As BoHo Theatre looks to the future, “MARIE CHRISTINE” remains a benchmark of artistic excellence and a beacon for the transformative power of theatre.